Spider-Man: Brand New Day advances with firm steps in full filming and with an approach that is causing a stir: action scenes captured in a practice and outdoors, with the streets of Glasgow transformed into an alternative Manhattan. The first behind-the-scenes images and clips circulating online show real swings of the wall-crawler and a suit redesigned for the occasion.
The team has opened a window into their work process with a video of the first day of production, while hundreds of curious people approach the open sets. Tom Holland, already in suit, admits that this time the experience “feels different” and having fans from the very first minute gives the filming a special touch.
Filming in Glasgow: New York takes shape in Scotland
Explosions, chases and a Manhattan recreated They have taken over the centre of Glasgow, with streets like Bothwell Street, St Vincent Street and areas of Merchant City transformed into New York City avenues with yellow cabs, NYPD patrol cars, scaffolding, and American signage. The production is planned stay in the city until August 26, taking advantage of the versatility of the urban environment.
The logistics device is designed to capture the energy of street filming: large teams of specialists, vehicles prepared for risky sequences, and functional sets that allow for continuous filming. All of this reinforces the idea that the new installment aims to recover physical sensations and give more presence to the real world on screen.
Real stunts and less green screen
One of the most viral sequences shows a Tom Holland lookalike. swinging in an artisanal way, having a background explosion, without the protection of a green wall. It is a bet of Destiny Daniel Cretton This contrasts with Jon Watts' earlier warning that, on camera, swinging from a rope can “look weird” if not properly integrated.
The objective now is to capture the real dynamics of movement and reserve CGI for the bare minimum. No one expects a film without digital effects—even less with the participation of Mark Ruffalo , the Hulk-, but yes a staging that prioritizes stunts, cables and physical sets when it is possible.
This shift in emphasis also reflects lessons learned from recent productions. Titles like No Way Home, filmed in the midst of pandemic era, received comments for some digital shots; this time, the team wants the public to notice that there are crackers and specialists performing the action in front of the camera.
Tom Holland: First Day Impressions
"My first day on a Spider-Man movie", jokes Holland in the clip released by the studio. The actor admits that putting on the suit "feels different"this time and that makes him especially excited to have audience on set from the startIn the images he is seen chatting with fans, including children in costume of the hero.
Regarding the suit, the design looks closer to the classical iconography, with pattern and texture adjustments that stand out in natural light. Holland concludes the message on a humble note: “I will do my best"I hope it goes well. No pressure."
Cast and ties to the MCU
The cast brings together several familiar faces from the MCU. In addition to Tom Holland y Zendaya, the production has Jon Bernthal , the Frank Castle/Punisher, Mark Ruffalo , the Bruce Banner/Hulk y Michael Mando in the role of ScorpionThe story takes place some time after the events of No Way Home, with Peter Parker rebuilding his life while facing new threats.
With this cast, the film aims to cross lines between the hero's street environment and larger-scale figures from the MCU, a combination that can expand the story arc of Spider-Man without giving up his neighborhood superhero roots.
Project calendar and promotion
The date marked in red is the July 31, 2026, when the film will hit theaters. Sony has accompanied the start of filming with behind-the-scenes material which highlights the work in real locations and the involvement of the team of specialistsThey've even taken advantage of personal anniversaries to provide context and maintain public interest.
The strategy is to show a filming open and close, in contrast to more hermetic processes, and to offer controlled glimpses into action scenes that mark the technical identity of the film. In the background, the production maintains a balanced pulse between craft and technology so that each set piece shines with its own personality.
The Spider-Man movie seeks to offer more physicality in its narrative, combining on-camera acrobatics and transformed urban settings in New York, with a cast that connects with the MCU. The countdown to its theatrical release is already underway, promising an experience that prioritizes the tangible without sacrificing spectacle.
