Lucasfilm has launched a new star wars trilogy Set in the galaxy created by George Lucas, with Simon Kinberg as the project's main creative architect and screenwriter. Although directors, cast, and schedule have yet to be finalized, the project is already taking shape, seeking to revitalize the brand on the big screen after its final film run.
Kinberg himself has pointed out that The central inspiration will come from Andor, the Disney+ series acclaimed for its narrative pulse and realistic approach to the Star Wars universe. With that in mind, the team aims for a more mature tone, with political intrigue and meticulous world-building that resonates with both veteran and new audiences.
Who is Simon Kinberg and what role will he play?
Kinberg is not a newcomer to the saga: In addition to having served as a creative consultant on The Force Awakens (2015), he co-wrote the four seasons of Star Wars Rebels with Dave Filoni and Carrie Beck, a credit that supports him when it comes to weaving stories within the canon.
Regarding his connection with the franchise, the filmmaker has said that Star Wars marked his childhood and that his passion has remained intact over the years. In an interview with Nerdtropolis, he shared a personal anecdote: during a hospital stay as a child, his parents left him a small Lego Millennium Falcon to cheer him up, a detail that, he says, sums up the mark the saga left on him.
In this new stage, his role is defined as creative leader and screenwriter, with the goal of articulating the overall arc of the three films and aligning guidelines with Lucasfilm. There's no official confirmation of directors or dates, a caution that suggests a slow development to lay the groundwork before filming.
The stated ambition is that the whole has internal coherence and a recognizable identity, so that each film works on its own and, at the same time, fit as a piece of the larger story, a lesson learned after the ups and downs of previous stages.
At the organizational level, Kinberg has cited representatives of the company, such as Kathleen Kennedy and Dave Filoni, visible heads of Lucasfilm and the television universe, with whom he shares the goal of aligning film and series without forcing unnecessary crossovers.
Tone and influences: the Andor effect
The name that Kinberg highlights above all is Tony Gilroy, Andor showrunnerThe series has been praised for its mature perspective, precise staging, and character development, traits the new team hopes to incorporate into the trilogy's cinematic language.
On a creative level, this translates into a more sober and political approach, with doses of thriller, espionage, and institutional friction. The idea is that the conflict doesn't depend solely on visual spectacle, but on clear motivations, tangible consequences, and moral dilemmas that permeate the three installments.
Kinberg also emphasizes that the objective is to balance scale and detail: Big set pieces when the story calls for it, but always in service of the emotional arc. That's, in fact, one of the lessons Andor teaches us, where pacing relies on narrative tension rather than the accumulation of effects.
The fit with the rest of Lucasfilm's productions is presented naturally: selective references, measured winks and organic connections with already open lines, avoiding excessive dependence on cameos or nostalgia for nostalgia's sake.
Andor's reception among critics and audiences has consolidated a standard that the new trilogy wants to emulate without copying it, adapting that spirit to a three-film format with the breath of a great story.
Cast and possibilities: Is Poe Dameron returning?
In terms of casting, there are no announcements at the moment, but Oscar Isaac has left the door ajar to return as Poe Dameron. Asked by Variety, the actor said he would consider returning if the role offers him a solid and meaningful path within the story.
The possibility is attractive to part of the fandom, who considered that Poe was underutilized in the last trilogyA return with a well-crafted storyline could strengthen the connection to that era without making it a burden, while also providing a veteran counterpoint to the new protagonists.
Beyond specific cases, the creative team handles the premise that the characters return when the plot justifies it, and not the other way around. The priority will be for each presence to have a dramatic impact and contribute information or real evolution to the whole.
With that prism, it is to be expected that confirmations arrive as they come that the script for the first installment closes key stages and that Lucasfilm adjusts the production and release schedule.
Until then, the focus remains on development: align the arc of the three films, outline the tone and establish what periods, planets and conflicts this new cinematic foray will explore.
Without dates on the table but with a clear direction, Star Wars is preparing for a film era with Andor DNA., with Simon Kinberg setting the creative roadmap, Lucasfilm's backing, and the open door to occasional returns if they fit the narrative; a strategy that focuses on narrative drive, internal coherence, and a long-term vision.
